Home
Shop
Learn to Bellydance!
Book Entertainment
Calendar of Events
Photos, Press & Bio
Links
Travel Retreats
Contact Us!
 
e-Check

PRESS
Click here for HipLife Archives

September, 2004

The Middle Eastern Dance in Maine Newsletter
"During her Labor Day workshop in Bangor, Mesmera told us that,"The true fountain of youth is sweat!”, and she definitely proves it. She's an amazing dancer who has it all: musicality, precise technique, flow, energy, stage presence… and she is also a talented and generous teacher.

What made you begin dancing and what inspires you when you dance?

Mesmera: To be a great dancer, one must be a music empath! It was the music that first moved me to dance. It's been my best teacher and continues to be my main inspiration, although I also draw from a wide range of other sources such as archetypes, geometry, anatomy, nature, plants, animals, colors…

What does the dance mean to you?

Mesmera: Life is movement, and dance is an artful expression of life and our creative co-existence with all forms of life. Everything dances: trees dance in the wind; light dances on water; insects dance through the air. To me, dance appreciates and celebrates our active inter-connection with everything and generates loving, gracious awareness.

You teach workshops all over the country; are there any trends you have noticed?

Mesmera: Yes, I see dancers pushing the boundaries. In the interplay between the traditional and the modern, I've seen both fusion and confusion! Of most interest is the persistent emergence of a strong creative feminine modern archetype. It's evident in the music and thematic choices, as well as individual dancer's names and particularly troupe names.

I like to say: Dance ON! Dance UP!!

Thank you for the interview, Mesmera!"


 

Adrienne Barbeau
October, 2003

Mésmera transforms Adrienne Barbeau into a snake charmer for her new HBO series, Carnivàle.


January 1, 2003

The Giza Academy was pleased to announce that Mésmera's performance on the video "Hollywood Babylon" is the 2002 winner of Giza Academy Award for Live Dance - Interpretative Category.


Zag! Magazine Interview, November 2002

 


From the Oct. 28, 2002 issue of TIME magazine
S O C I E T Y
Shakin' All Over
Belly dancing has its roots in
the ancient world, but its merits
are being discovered by modern women

By MICHELE ORECKLIN

Good Gyrations: Mésmera, a teacher in Los Angeles, says bellydancing is, "akin to yoga, but more active and expressive."

 

Sunday, Oct. 20, 2002

"To understand why belly dancing is enjoying such popularity today, it's important to set aside certain preconceptions. Banish the image of nubile harem girls undulating under an Arabian moon for the amusement of sheiks. Envision instead women of expanding waistlines and advancing ages finding their inner goddess under fluorescent lights at the local Y.

In the current resurgence of belly dancing, its reputation as a seductive art is played down. Rather, it is promoted as a way for women of all shapes and ages not only to tone their obliques but also to deepen their souls. The success of this message explains why sales of videos by "belly twins" Neena and Veena are soaring and gyms in New York City and Los Angeles are scheduling belly-dancing classes during hours once reserved for Pilates. It's why dance studios from Omaha to Anchorage can't accommodate everyone seeking to enroll.

For many, belly dancing is chiefly notable as the one endeavor outside of a wedding in which women are encouraged to wear veils. But it has changed the life of Nebraskan Faith Erdei, 51, a mother of 12 who works at a nuclear-power plant. Every week she drives the 50 miles to Lincoln to attend class because it's the one place she can feel feminine. Roni Flory, 27, of Carrolton, Texas, says learning to express herself through belly dancing has made her more effective at her sales job by giving her the confidence to talk to anyone.

Improved self-esteem was probably not why belly dancing evolved thousands of years ago. Though its origins remain murky, it was probably first performed in the Middle East,then spread through that region and North Africa. The term belly dancing is a misnomer adopted in the West in the 19th century: in ancient Middle Eastern societies, women would have been forbidden to show their midriffs. Most modern practitioners contend that belly dancing was designed not for sexual enticement but as a fertility ritual or for birthing ceremonies for and among women. There has also been speculation that the rotating pelvic movements arose from the action of stirring soup.

It's much easier to pinpoint how and why belly dancing has caught on at this moment in the U.S. Following the 9/11 attacks, people began seeking knowledge about Middle Eastern society. Marta Schill, president of the 25-year-old Middle Eastern Culture and Dance Association, says membership has grown more than 30%, to 1,000, over the past year. This desire to learn about Arab traditions coincided with the release of music videos by pop stars Shakira and Britney Spears, who bared their stomachs and belly danced with abandon, sparking the interest of teenagers and young adults.

"When the room is packed, I say, 'Thank you, Shakira and MTV,'" says Mésmera, who teaches belly dancing in Los Angeles. Mésmera (real name: Laurie Rose) began belly dancing 27 years ago and in recent months has seen her class sizes swell. She says she doesn't care what brings people in; she's just happy to get out the message that belly dancing "gives you a stronger sense of self," even if that self doesn't look like Shakira. "We're all different shapes and sizes, but Mésmera makes everybody feel beautiful," says Monica, a high school teacher. Echoes Suzy Roan, 44, a divorced bartender who teaches belly dancing in a suburb of Anchorage: "It's one of the few dancing arts where it's totally acceptable to be yourself. If you're plump, it's O.K."

Mésmera's classes resemble those taught nationwide. Even in a beginners' class, most of the 20 students wear flowing skirts in cotton or gauze and scarves adorned with coins tied low on their hips. After breathing exercises, the students are instructed to twist their hips slowly in a figure 8 while extending their arms to the side. Later come side-to-side hip sways, pelvic thrusts and serpentine torso waves done to a rhythmic drumbeat. Occasionally classes are accompanied by live percussionists, and women play finger cymbals called zills, though CDs with Middle Eastern music and singing are often used.

Belly dancing can be an effective cardiovascular exercise that helps strengthen muscles by isolating different parts of the body, but the moves are gentle, not pounding like other forms of dance or aerobics. Diana Stone, 54, an instructor in Asheville, N.C., explains, "This dance feels right for the body of a woman. "Feeling feminine but not weak is a strong draw for Barbara Sorenson, 55, who teaches in Lincoln, Neb. She says belly dancing indulges her desire to wear jewelry, makeup and billowing fabrics, to be "female but also strong and feminist." Sorenson says the style she teaches, Tribal Fusion, is "a dance of attitude, strength, beauty and the celebration of a woman's spirit." (Despite the emphasis on femininity, some men do belly dancing but with sharper, less rolling moves.)

Americans tend to treat ancient rituals like new cars, customizing them for convenience, then trading them in when something more exciting comes along. But that isn't the way belly dancing is seen by people like Don Gold, president of StudioWorks, a Thousand Oaks, Calif., video distributor whose parent company gave the world Tae-Bo. Gold just signed a deal with belly-dance instructor Dolphina, who teaches in Los Angeles, to distribute her Goddess Workout Fitness Video series because "we think we're ahead of the curve of a new revolution." It's possible that the practice will become classic, like yoga, but there's always the danger that it could end up in the used-trend lot, discarded and rusting like step aerobics."

- With reporting by Esther Chapman/Omaha, Constance E. Richards/Asheville and Sonja Steptoe/Los Angeles

In Motion: Candice Assanah gets into the swing of things at a Y in Omaha.


SHAKIRA: The Latin Pop Star helped make the dance hip again.


Mésmera was recently featured in InStyle magazine for her appearance at Joely Fisher's star-studded baby shower!


Read the excerpt below:

"Guests burned away all the calories by dancing on the lawn, enticed from their tables by the rhythm of pounding drums. One by one the women joined hands as Mésmera instructed them in the art of hip shaking. "I'm Lebanese, so I used to belly dance for my allowance," boasted Najimy as she shimmed, twirled a silk veil, and then sprinkled her former Ellen co-star with a handful of rose petals. She may have danced circles around the other partygoers, but later, as the guest of honor tackled the mound of presents, it became readily apparent that the attendees were all equally adept at hunting down the most stylish baby booty..."

 

 

 

 

Movie Star!

Here's Mésmera outside the set for Tim Curry's Penthouse Party in the Charlie's Angels MOVIE!

You'll see a glimpse of her dancing with her snake, Isis, behind Drew Barrymore and Cameron Diaz (also starring Bill Murray).

MOVIE CLIPS of Mésmera from Charlie's Angels

 


Mésmera and Brent Lewis recording a track for his Christmas CD, "Jungle Bells."

 


LOS ANGELES AREA BELLYDANCE CLASSES


Mésmera offers bellydance classes from beginner to advanced levels.
Group and private instruction are both available. Mésmera's studio is conveniently located in the heart of the Los Angeles area

Call (323) 669-0333 or email Mésmera@Mésmera.com for more information